Category: Calligraphy

  • “Kakizome” Workshop: First Writing of the Year

    “Kakizome” Workshop: First Writing of the Year

     

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    Kakizome (書き初め) is the term for the first calligraphy writing of the new year, traditionally performed on the second day of January. This event is also called 吉書 (kissho), 初硯 (hatsu-suzuri) and 試筆 (shi-hitsu). People write auspicious words or a short Japanese or Chinese poetry, such as haiku or tanka, something that symbolizes one’s wishes for the New Year. In modern times, people simply prefer to choose kanji characters that have positive meanings and one’s resolution for the year.

    Traditionally, Kakizome is written with fresh water taken from the well in the morning of the New Year’s Day, which is called 若水 (Wakamizu), as this water is believed to be holy. Ink grinding gives you meditative moment to reflect your thoughts and wishes for the new beginning of the year.  From ancient times in Oriental countries, calligraphy has been defined as “書は人なり” (sho wa hito nari = “calligraphy is the person”), and “書、心画也” (書、心の画なり: sho, kokoro no e nari = “calligraphy, a painting of your heart), meaning that our handwriting reflects one’s personality: emotions, discipline, sophistication and inner spirit. Kakizome is a perfect challenge for one to embody your wishes in handwritten words; prepare the ink, focus in the moment, pick up the brush and write the steady strokes without hesitating in a smooth, continuous flow.

    The history of Kakizome goes back to more than 500 years ago. Kakizome was originally a ceremonial event in the Imperial Court. Before the Edo period (1603 – 1868), education was only accessible to children of samurai and ruling families, so as calligraphy.  In the beginning of 17th century, terakoya, private educational institutions originally founded in Buddhist temples, began to teach mainly reading and writing to children of middle class and commoners, and has widely spread in cities such as Edo and Osaka during the Edo period, remarkably in 1830s.  In Meiji Period, the government instituted public school system to provide basic education for the entire nation (called 学制 Gakusei, instituted in 1872), and calligraphy classes became mandatory as part of the public education curriculum. Since then, Kakizome has spread among commoners and became a popular event for the New Years.

    In Japan, Kakizome is usually burned at a Sagicho festival on the 14th or 15th of January. If your burned paper flies high, it is believed to be implying that your writing skill will improve.

    Here at my studio, Atelier Towa, I will be hosting Kakizome workshops on January 9th and 10th!
    Details are on the link below:

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    Looking forward to enjoying New Year calligraphy with you!

  • JAPANESE CALLIGRAPHY WORKSHOPS STARTING IN DECEMBER

    JAPANESE CALLIGRAPHY WORKSHOPS STARTING IN DECEMBER

    Starting December 2015, I’m going to begin teaching a series of Japanese calligraphy workshops in my studio in Berkeley California, called Atelier Towa. The first two sessions are on Sunday December 6th, morning and afternoon. More classes and programs will be announced as they are scheduled. For those who have been curious about Japanese calligraphy but never officially tried before; who have held calligraphy brush a couple times in the past and thinking about exploring more; who enjoy brush paintings and want to polish your skill in controlling brush; who enjoy yoga and meditation, want to center your mind through a zen moment by feeling your energy leaving traces on a paper – this would be the place for you. I’ll do my best to introduce various aspect of Japanese calligraphy to deepen your understanding of its history, discipline, styles, format, tools and materials, and assist you to improve your skills. The best way to the fast improvement is to enjoy doing it! Hope you can join us and together we’ll enjoy the art of Japanese calligraphy!

    For more details & registrations:
    [symple_button url=”https://vpft26yt33b.c.updraftclone.com/workshops/” color=”grey” size=”small” border_radius=”3px” target=”self” rel=”” icon_left=”” icon_right=””]VIEW CLASSES & REGISTER [/symple_button]

    Looking forward to have you at Atelier Towa!

  • Calligraphy Logo for Omakase San Francisco

    Calligraphy Logo for Omakase San Francisco

    Earlier this year, I worked on a calligraphy logo for Omakase, a new high-end Edo-mae style sushi restaurant in SOMA district of San Francisco. They just opened in September this year, and recently won a 2016 Michelin Guide star! I heard that now there’s a month-long wait for reservation, which made me really to happy to hear. I finally got to experience dining at Omakase this week, and witnessed the packed, fun and lively sushi counter in action.

    DSC_6578My calligraphy “おまかせ” (Omakase – meaning “chef’s choice) engraved on a wood slab for the interior alcove at Omakase.

    counter_4Chef Yoshihito prepping food at the sushi counter.

    omakase_menu_3Calligraphy logo “Omakase” I worked on is engraved on the wooden cover of their food menu.

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    Omakase serves fresh sashimi fish imported straight from Tsukiji Market everyday. One of the best dish I had was the uni, sea urchin from Hokkaido and their home-marinated ikura (I’ve always thought that my grandma’s home-marinated ikura in Hokkaido was the best, but really, it was very close to the best flavor of ikura shoyu-zuke that I know. Yes, Hokkaido is my hometown and don’t get me wrong, I may be biased. 😉 ). They also blend their own sashimi soy sauce – I love such chef’s original “kodawari” in those details.

    I don’t have much photos of the food to post here, as I wanted to focus on being in the moment and enjoying the dining experience with my parter, friends and restaurant staff. Sorry! You can enjoy more beautiful photos on their website: http://www.omakasesf.com/

     

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    Their selection of beautiful Japanese tea pots on traditional Japanese wooden cabinet in the restaurant. Business cards with the restaurant’s logo on the left.

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    “Check please.” – English “Omakase” logo on the leather cover of the bill folder. 

    chefs_omakase_v2With Omakase chefs: Yoshihito Yoshimoto, me, Jackson Yu, and Ingi Son (from the left) 

    It’s always exciting to have my calligraphy works being part of unique experiences, made by people who strive for excellence in their creation. Congratulations to staff, chef and everyone at Omakase. Special thanks and applause to Aya Yanagisawa for your hard work, and making me part of this project.

    Japanese cuisine is booming at every corner in San Francisco Bay Area. There are numbers of new Izakaya, sushi bars and ramen restaurants opening every year, and each of them are different and unique in their flavors, styles and presentations: authentic, traditional, modern, hip, experimental, edgy, avant-garde… It excites us to see what new cultural experiences are brought, innovated and offered in our neighborhood. Food is an universal language, with no prior experience or knowledge required. You can share and enjoy with others, friends and loved ones of all ages, of any ethnicity with different cultural background.  And I believe that’s the beauty: it’s like a little world journey on your tongue – you can just knock on the door, and get a taste of the culture from the other side of the globe.

    Omakase
    665 Townsend St. (between 7th and 8th street)
    San Francisco, CA
    (415) 865-0633. omakasesf.com

  • Back in the US: at Atelier Towa.

    Back in the US: at Atelier Towa.

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    “To be creative means to be in love with life. You can be creative only if you love life enough that you want to enhance its beauty, you want to bring a little more music to it, a little more poetry to it, a little more dance to it.”

    ― Osho

    ***

    After three months in Japan, I am finally back to my atelier in Berkeley.

    These beautiful flowers from my love and neighbors welcomed my return both in the car and at home.  How pretty, how sweet. I am well and recharged, and excited to get back to work. Thank you all for those who sent me beautiful gifts, warm thoughts and messages – I’m so touched by your kindness, and it really encouraged me to stay strong.

    Another happy announcement… the new sign of for my atelier, “Atelier Towa” (アトリエ咏遠), is officially up on the building directory at the entrance!

    I’m planning to finally begin calligraphy workshops later this month.
    Details including dates, hours, sign-up links to be announced very soon!

    Upcoming Events: 
    1. Calligraphy Workshops (Starting late November 2015)
    2. Open Studio
    3. Kakizome (Calligraphy for the New Year) Workshop (in January, 2016)
    4. Solo exhibition & performance in Sapporo, Hokkaido Japan (in February, 2016)

    For commissions and other inquiries, please contact at info@aoiyamaguchi.com.
    Private visits can be scheduled by appointments.

    Thank you so much for your patience, and looking forward to enjoy the beautiful world of Japanese calligraphy with you!

  • Tea Time & Autumn Colors.

    Tea Time & Autumn Colors.

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    The trees on the streets and mountains are turning into Autumn colors here in Hokkaido. Tiny “Yukimushi” (snow fly) are flying around everywhere, resembling snow flakes dancing in the brisk air – telling us that the Winter is right around the corner.

    I was in a hospital to take care of my health for about less than two weeks, and came back home to my family well enough to enjoy some treats. My aunt congratulated me for coming home with this sweet “Nama-Yatsuhashi” from Kyoto.  Walking around in the neighborhood, I’m always surprised to see how scenery changes so quickly as the season is shifting from the late Summer to Fall in Japan. Recent typhoon thrashed the trees and painted the street with colorful splashes of fallen leaves. I collected some adorable ones, and added some colors to my first little tea time of this month.

    Everyone who encouraged me with your warm thoughts, messages, gifts – thank you all so much for your kindness and understanding. I am realizing how much love I’m surrounded by. I am grateful for a simple fact that I can breathe, eat, talk, communicate, express myself, and even pursue my career in art. We all have natural strength to heal, and overcome difficult times.

    “Being deeply loved by someone gives you strength, while loving someone deeply gives you courage.” – Lao Tzu

    All of me is not possible without you, without love.
    Your presence inspire me, gave me courage to overcome fear, and willpower to recover.

    I am now excited to be slowly back to work!

  • Autumn Equinox.

    Autumn Equinox.

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    In Japan, it’s O-higan: 7 days period of Buddhist holidays, which is 3 days before and after the autumn equinox. O-higan (お彼岸) means “the other side of river: the world of enlightenment (nirvana).”  There are Spring O-higan and Autumn O-higan in a year and each has different meaning; we praise nature and celebrate our lives on Spring equinox, and we honor the memories of ancestors on Autumn Equinox.  Traditionally, people in Japan celebrate this period of O-higan visiting family grave, inviting Bhuddist monk home to have him read Heart Sutra to pray for ancestors, and eating O-hagi, a mochi rice cake covered in sweet azuki beans.

    I made this black sesame O-hagi, decorated with my little brush strokes and fresh Morning Glory from the garden, and welcomed Bhuddist monk’s visit for his service.

    Happy O-higan and silver week to you all!

  • Work in Japan: Aug – Oct 2015

    Work in Japan: Aug – Oct 2015

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    I will be working based in Japan from August until the end of October.

    For those who are looking forward to our Fall calligraphy workshops in Berkeley & San Francisco, thank you so much for your patience!
    I’ll come back to my Berkeley atelier with full energy, workshop program details to be announced soon!

    For commission artworks and performance inquiries, please contact via email at info@aoiyamaguchi.
    Stay tuned for the upcoming announcements! xoxo

    -Aoi

    * Ink well in the photo above used to belong to my deceased grandfather, who was also good at Japanese calligraphy. I inherited this recently, and been grinding sumi ink in this ink stone. It’s aged, but nicely aged – it has a strong presence, reminds me of my grandpa. I feel like this ink well is putting a spell on the ink as it’s made in it, making the brush strokes bloom like lively ume plum flowers that are inscribed on its surface. I feel that it must be the power of the art and craft that have been passed on through generations.

  • Good Try JAPAN Atelier Visit & Workshop

    Good Try JAPAN Atelier Visit & Workshop

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    Hailing from Japan, I had a group of high school students with Good Try JAPAN program visit my atelier for a career-inspirational talk and a calligraphy workshop. Good Try JAPAN is a career education program in partnership with HIS, a Japanese travel agency, which aims to inspire young teenage students to see the world and think about their future careers. Participating students get to visit world-leading tech offices such as Google, Twitter, Consulate General of Japan in San Francisco, and Stanford University, meet employees there to hear about their life experiences and insights on how it’s like to step outside from own country and work in the United States. Then they visit Yosemite National Park for nature activities, interact with local high school students to broaden horizons, and think and communicate their ideas and thoughts between travel buddies. I was asked to meet the students to talk about my life journey, experiences and struggles working as an independent artist in foreign country.

    It was exciting finally open the door to public and have them visit this newborn atelier space. It’s always fun to meet ambitious youngsters who are seeking who they are, what they want to achieve, and what they dream of.  I was also around their age when I decided to study abroad. It was not an easy road, and still not is, but it is definitely an adventurous path that’s worth taking.

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    I love seeing various ideas and imaginations from students; everyone is unique. During the workshop, one of the students wrote “話” (conversation) in calligraphy, and put smily faces inside of the radical “口”; one smiling with its mouth opened, one closed. I asked her why, and she said, “one is talking, and another one is listening. I think that the conversation is very important, and I want to be able to have many good conversations in my life. ” I love that observation!  I was happy to see that everyone was having a great time holding brushes and expressing themselves on paper.

    Calligraphy is like a mirror of your inner self.

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    I hope everyone was able to have some time to focus on their inner self through this workshop, and re-evaluate their goals and beliefs. Wishing you all great success in your bright future ahead!

     

    – Photo by Shinya Hirose

  • Momentum

    Momentum

    I’m working on my new abstract tanboku 淡墨 calligraphy series called “Momentum,” inspired by fragmented images of movements found in nature.

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    『粼』(せせらぎ)川は粼ぎ “Streaming River” / 『舞』鳥は舞い “Dancing Birds” /『咲』華は咲き “Blooming Flower” / 『澄』空は澄み “Clear Sky”

     

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    『霧』霧立ち籠め “Fog Envelops” / 『霞』霞がかり “Mist”

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    『咲』華は咲き  “Blooming Flower”

    As I can hear the footsteps of my birthday which is only a week away (!!), I’d like to release some selected works from this series as limited edition giclée prints at ART MART at Ensoma Salon & Gallery in San Francisco, an evening market offering works of art from selected local Bay Area artists.  Featured Artists include: Joseph Wood, Julia Lemke, Charles Papillo, Drew F Cameron, Sage Barlow and Maddie Todd.

    Ensoma Salon & Gallery
    352 6th Street, San Francisco CA 94103 | ART MART: Saturday June 13th, 2015 | 6-9pm

    Please join us for this exciting evening! Light refreshments will be served.

  • "創造": Live calligraphy performance at Asia Society Northern California Annual Dinner 2015

    "創造": Live calligraphy performance at Asia Society Northern California Annual Dinner 2015

    I performed live calligraphy “創造” (sou・zou – ‘Creation’) for Asia Society Northern California 12th Annual Dinner at Ritz-Carlton San Francisco on Tuesday, May 12th, 2015.

    Inspired by the theme “Art and Power of Transformation” in Asia, I chose “創造” (sou・zou), meaning “creation” in Japanese to write for the performance. “Creation,” the action or process of bringing something anew into existence, or that has been made or invented. Sou・zou embodies creativity and innovation, forces that pervade and inspire the Bay Area.

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    The artwork created on the stage was sold at silent auction during the event (thank you!), and the proceeds were donated to support Asia Society Northern California.

    Thank you ASNC for inviting me to perform, it was such a pleasure to share my work with over 400 honorable members of the society and leaders in various fields in San Francisco Bay Area!

    *Special* thanks to:
    Stage Assistant: Sunjin Kim, Kelsey Williams
    Music: Onpun
    Costume Dress: Ryuji Hashimoto
    Kimono Dress Accessories: Hand-painted and crafted by the artist
    Photos: Benjamin Marx
    Event coordination: Yang Wang, Lisa Wong
    & Asia Society Northern California